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http://www.imdb.com/title/tt0066049/combined
https://fr.wikipedia.org/wiki/Un_homme_nomm%C3%A9_cheval
http://www.soundtrackcollector.com/title/9445/Man+Called+Horse%2C+A
Un homme nommé Cheval (1970) More at IMDbPro »A Man Called Horse (original title)
| Photos (See all 24 | slideshow) |
Overview
Director:
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Elliot Silverstein | |||
Writing credits | ||
| Jack DeWitt | (screenplay) (as Jack De Witt) | |
| Dorothy M. Johnson | (story) | |
Produced by | |||
| Frank Brill | .... | associate producer | |
| Sandy Howard | .... | producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Robert B. Hauser | (director of photography) (as Robert Hauser) | ||
Film Editing by | |||
| Philip W. Anderson | |||
| Gene Fowler Jr. | |||
Art Direction by | |||
| Philip Barber | (as Phil Barber) | ||
Set Decoration by | |||
| Raúl Serrano | (as Raul Serrano) | ||
Costume Design by | |||
| Dennis Lynton Clark | |||
Makeup Department | |||
| Richard Cobos | .... | makeup artist | |
| Frank Griffin | .... | make-up: Richard Harris | |
| George Lane | .... | makeup supervisor | |
| Keester Sweeney | .... | makeup artist | |
Production Management | |||
| Robert M. Beche | .... | unit production manager | |
| Gilbert Kurland | .... | production manager | |
Art Department | |||
| Bill Dietz | .... | property master (as William Dietz) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Jeremy Kay | .... | assistant art director (uncredited) | |
Sound Department | |||
| Jack A. Finlay | .... | supervising sound editor (as Jack Finlay) | |
| Peter Maxwell | .... | adr mixer (uncredited) | |
| Rafael Ruiz Esparza | .... | sound (uncredited) | |
Special Effects by | |||
| Federico Farfán | .... | special effects (as Federico Farfan) | |
| Jerome Rosenfeld | .... | optical production design and titles (as Jerome Rosenfeld of The Helix Group) | |
| Tim Smyth | .... | special effects | |
Stunts | |||
| Terry Leonard | .... | stunt coordinator | |
| Lightning Bear | .... | stunts (uncredited) | |
| Tap Canutt | .... | stunts (uncredited) | |
| Tom L. Dittman | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Rafael Delong | .... | head grip (as Rafael DeLong) | |
| Don Johnson | .... | head electrician | |
| Gabriel Torres | .... | second unit cameraman | |
| Roberto Biciocchi | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Frank Delmar | .... | costume supervisor | |
| Eddie Marks | .... | costumer (as Edward Marx) | |
| Jack Martell | .... | costumer | |
| Theodore R. Parvin | .... | costumer (as Ted Parvin) | |
Editorial Department | |||
| Robert Briggs | .... | assistant film editor | |
| Tom Patchett | .... | assistant film editor (as Thomas M. Patchett) | |
Music Department | |||
| Gene Feldman | .... | supervising music editor | |
| Morton Stevens | .... | music supervisor | |
| Paul Beaver | .... | musician: moog synthesizer (uncredited) | |
| Billy Byers | .... | music copyist (uncredited) | |
| Robert Craft | .... | music copyist (uncredited) | |
| Ralph Ferraro | .... | orchestrator (uncredited) | |
| Jerrold Immel | .... | music copyist (uncredited) | |
| Milton Kestenbaum | .... | musician: bass (uncredited) | |
| William Kraft | .... | musician: percussion (uncredited) | |
| Bernie Kaai Lewis | .... | music copyist (uncredited) | |
| Virginia Majewski | .... | musician: viola (uncredited) | |
| Richard Nash | .... | musician: trombone (uncredited) | |
| Jeff Porcaro | .... | musician: percussion (uncredited) | |
| Leonard Rosenman | .... | conductor (uncredited) | |
| Robert Takagi | .... | music editor (uncredited) | |
Other crew | |||
| Carl Bodmer | .... | the rituals dramatized have been documented from the letters and paintings of, and other eye witnesses of the period | |
| Charlsie Bryant | .... | script supervisor | |
| George Catlin | .... | the rituals dramatized have been documented from the letters and paintings of, and other eye witnesses of the period | |
| Lynn E. D'Amato | .... | production assistant | |
| Clyde Dollar | .... | historian and technical edvisor | |
| Julián Benito Navarro | .... | equine consultant | |
| Gregory Crosby | .... | Vice President of Production: Sandy Howard Productions (uncredited) | |
| 'Chema' Hernandez | .... | livestock coordinator (uncredited) | |
Production Companies
- Cinema Center Films (presents)
- Sandy Howard Productions (as A Sandy Howard Production)
- National General Pictures (1970) (USA) (theatrical)
- Centfox (1970) (West Germany) (theatrical)
- Sandrew Film & Teater (1970) (Sweden) (theatrical)
- Warner-Pathé Distributors (1970) (UK) (theatrical)
- Fox Films (1970) (Finland) (theatrical)
- Towa (1970) (Japan) (theatrical)
- Abril Vídeo (????) (Brazil) (VHS)
- CBS/Fox Home Video (1980s) (Australia) (video)
- CBS/Fox (198?) (West Germany) (VHS)
- Columbia Broadcasting System (CBS) (1977) (USA) (TV) (broadcast premiere)
- Finnkino (2004) (Finland) (DVD)
- Fox Video (????) (USA) (VHS)
- Nelonen (1999) (2004) (Finland) (TV)
- Paramount Home Entertainment (2004) (Germany) (DVD)
- Paramount Home Entertainment (2011) (Germany) (DVD) (Blu-ray)
- Paramount Home Video (2003) (USA) (DVD) (widescreen)
- Paramount Home Video (2004) (USA) (DVD)
- Showtime (1980s) (Finland) (VHS)
- Yleisradio (YLE) (1982) (2009) (2010) (Finland) (TV)
- Library of Congress the makers of this film express their gratitude to (as the Library of Congress)
- Marion Dougherty Associates casting
- Rosebud Sioux Tribe of South Dakota and the museums and libraries the producers wish to express their appreciation to: without whose help this film could not have been made (as the Rosebud Sioux Tribe of South Dakota and the museums and libraries)
- Smithsonian Institution the makers of this film express their gratitude to (as the Smithsonian Institute)
- The American Museum of Natural History the makers of this film express their gratitude to (as the American Museum of Natural History)
- United States Government the actual practice of the Vow of the Sun was forbidden by, in the latter part of the 1800's (as the United States Government)
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