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http://www.imdb.com/title/tt0082427/combined
https://fr.wikipedia.org/wiki/Massacres_dans_le_train_fant%C3%B4me
http://www.soundtrackcollector.com/title/9645/Funhouse%2C+The
Massacres dans le train fantôme (1981) More at IMDbPro »The Funhouse (original title)
Photos (See all 23 | slideshow) | Videos |
Overview
Director:
Cast
(in credits order) (complete, awaiting verification)Directed by | |||
Tobe Hooper | |||
Writing credits | ||
Lawrence Block | (written by) (as Larry Block) |
Produced by | |||
Steven Bernhardt | .... | producer | |
Mark L. Lester | .... | executive producer | |
Brad Neufeld | .... | associate producer | |
Mace Neufeld | .... | executive producer | |
Derek Power | .... | producer | |
Original Music by | |||
John Beal | |||
Cinematography by | |||
Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
Jack Hofstra | |||
Casting by | |||
Pamela Basker | |||
Fern Champion | |||
Production Design by | |||
Mort Rabinowitz | (as Morton Rabinowitz) | ||
Art Direction by | |||
Jose Duarte | |||
Set Decoration by | |||
Tom Coll | |||
Makeup Department | |||
Rick Baker | .... | special makeup design | |
Marlana May | .... | makeup artist | |
Donisia McGowan | .... | hair stylist | |
Craig Reardon | .... | special makeup execution | |
Production Management | |||
Norman Cohen | .... | unit production manager | |
John Orland | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
Adrienne Bourbeau | .... | second assistant director | |
Norman Cohen | .... | first assistant director | |
Art Department | |||
Harold Collins | .... | construction coordinator | |
William Kellow | .... | carpenter | |
Nicholas J. Romanac | .... | property master (as Nick Romanac) | |
Neal Adams | .... | conceptual designer (uncredited) | |
Sound Department | |||
Jack Dalton | .... | sound mixer (as Jack Dalton Sr.) | |
Robert L. Hoyt | .... | re-recording mixer (as Robert Hoyt) | |
Dale Johnson | .... | sound editor | |
Earl Madery | .... | re-recording mixer | |
John J. Stephens | .... | re-recording mixer (as John Stephens) | |
David A. Whittaker | .... | sound editor (as David Whittaker) | |
Special Effects by | |||
J.B. Jones | .... | special effects | |
Camera and Electrical Department | |||
Robert Destolfe | .... | still photographer (as Robert De Stolfe) | |
Russell Engels | .... | gaffer (as Rusty Engles) | |
Ed Kammerer | .... | best boy (as Eddie Kammerer) | |
Ed Knott Jr. | .... | key grip (as Eddie Knott Jr.) | |
Walter G. Morris Jr. | .... | gaffer (as Walter Morris Jr.) | |
James Pergola | .... | camera operator | |
John Winner | .... | first assistant camera | |
Oscar Barber | .... | camera operator: "b" camera (uncredited) | |
Oscar Barber | .... | camera operator: second unit (uncredited) | |
Daniel Pearl | .... | additional photographer (uncredited) | |
Casting Department | |||
Susie Feldott | .... | casting: Miami | |
Bob Gordon | .... | casting: Miami | |
Jonathan Lane | .... | casting: Miami (as Jonothan Lane) | |
Costume and Wardrobe Department | |||
Linda Benedict-Pierce | .... | wardrobe (as Linda Benedict) | |
Andre Lavery | .... | wardrobe | |
Harold Richter | .... | wardrobe | |
Editorial Department | |||
Vicki Hiatt | .... | post-production assistant | |
Robert Leader | .... | assistant editor | |
Arnold Leibovit | .... | assistant editor | |
Angelo Ross | .... | location editor | |
Music Department | |||
Richard Bellis | .... | orchestrator | |
Tom Catalano | .... | music supervisor | |
Don James | .... | orchestrator | |
Ken Johnson | .... | music editor | |
Jo Ann Kane | .... | music preparation | |
John Beal | .... | composer: trailer (uncredited) | |
John Beal | .... | conductor (uncredited) | |
John Beal | .... | orchestrator (uncredited) | |
Miles Goodman | .... | orchestrator (uncredited) | |
Daniel J. Johnson | .... | music editor (uncredited) | |
Rick Riccio | .... | music scoring mixer (uncredited) | |
John Rosenberg | .... | orchestra contractor (uncredited) | |
Other crew | |||
Don Gilman | .... | production assistant | |
Melanie Grefe | .... | production assistant | |
Arnold Leibovit | .... | production assistant | |
Murray Naidich | .... | main title design | |
Susana Preston | .... | script supervisor | |
Roberta Rose | .... | production accountant | |
Daphne Stacey | .... | assistant: Mr. Hooper | |
Jeffrey W. Stacey | .... | production assistant (as Jeff Stacey) | |
Cynthia Streit | .... | production coordinator | |
Dee Dee Winner | .... | production coordinator | |
Kathy Day | .... | assistant: Mr. Neufeld (uncredited) | |
Jonathan Lane | .... | assistant to director (uncredited) | |
Thanks | |||
Mary Lee Lander | .... | the producers wish to acknowledge the contributions of | |
Shari Lewis | .... | dummy courtesy of | |
Bob Megerle | .... | special thanks | |
Production Companies
Distributors
- Universal Pictures (1981) (USA) (theatrical)
- Succéfilm AB (1983) (Sweden) (theatrical)
- Cinema International Corporation (C.I.C.) (1981) (Japan) (theatrical)
- Arrow Films (2007) (UK) (DVD)
- Arrow Films (2011) (UK) (DVD) (Blu-Ray) (special edition)
- Arrowdrome (2012) (worldwide) (DVD)
- CIC Video (198?) (West Germany) (VHS)
- Elephant Films (2016) (France) (video)
- Esselte CIC Video (1984) (Belgium) (VHS)
- Esselte CIC Video (198?) (Netherlands) (VHS)
- EuroVideo (2010) (Germany) (DVD)
- Future Film (2010) (Finland) (DVD) (cropped to 1.78:1)
- GoodTimes Home Video (1998) (USA) (VHS)
- GoodTimes Home Video (1999) (USA) (DVD)
- MCA/Universal Home Video (1992) (USA) (VHS)
- MCA/Universal Home Video (1992) (USA) (video) (laserdisc)
- Shout! Factory (2012) (USA) (DVD) (Blu-Ray) (collector's edition)
- Shout! Factory (2012) (USA) (DVD) (collector's edition)
- Universal Studios Home Entertainment (2004) (USA) (DVD)
- Universal Studios Home Video (2004) (Canada) (DVD)
Other Companies
- Sound FX sound editing
- Megerle Shows special thanks
- Universal Pictures "Bride of Frankenstein" courtesy of
- Animated Display Creations animated figures in funhouse by
- Dade County Film Commission the producers wish to acknowledge the contributions of
- Florida Film Commission the producers wish to acknowledge the contributions of
- Consolidated Film Industries (CFI) titles and opticals
- Reeltime Creative trailer music
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